Brainworx Brainworx Heritage Bundle

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Since 2006 Brainworx Audio has developed high-end audio software for native and DSP based systems, often based on emulations of analog hardware from their international partners. Get 10 classics from their catalogue in this bundle !
bx_cleansweep Pro
Clean Up Your Tracks & Create Exciting Sounds
Which Feature Do You Only Find On The Best Consoles Of The World?
Every major mixing console from brands like SSL, Neve, etc. has dedicated HP & LP Filters per channel. There is a reason for that!
A joystick control, much like an X/Y pad, helped facilitate intuitive and direct movements towards a cleaner sound stage. The bx_cleansweep design, like it’s bigger siblings – bx_digital V3 and bx_hybrid V2, features Anti-Crush technology. This analog model for filter curves prevents the harshness and aliasing found in many other EQs.
Now, bx_cleansweep PRO is the third reincarnation of the beloved filter plugin!
Features
Joint HP/LP filter with in-depth frequency response control
In addition to Butterworth, five new filter types with additional control options:
(Bessel, Chebyshev (Type I & II), Elliptical, and Resonant Butterworth)
Each filter adjustable up to the 6th order
New View Modes in graph panel with value callouts at each coordinate: Spectrum analyzer, Magnitude, Phase, Group Delay
Joystick/matrix controller manipulates both HP and LP filters on an X/Y plane, creating an intuitive interface for honing-in on character
Learn more about bx_cleansweep Pro.
bx_control V2
Control Listening Tool & M/S Matrix
bx_control V2 is a powerful monitoring tool and an M/S matrix with built-in Mono Maker & Stereo Width control. bx_control V2 also features high resolution metering for Peak and RMS levels in AES 17 and square wave formats.
This handy little M/S tool can be used for a wide variety of sophisticated applications: control the stereo width of any stereo audio track by simply routing it to the Brainworx M/S matrix. You can also use the bx_control V2’s unique Mono Maker tool to set a threshold frequency below which the stereo signal of your track or mix becomes mono with no loss of power or fidelity — great for managing the low end of your mixes. As a monitoring tool, the bx_control V2 offers solo monitoring to M (mono sum), phase-corrected S (stereo difference signal), and L or R (left or right) mono channels on both speakers, or " soloed in place" using the four dedicated solo buttons — another Brainworx invention. You can also easily swap channels with the L/R flip button.
Features
High resolution metering for Peak and RMS levels
(AES 17 and square wave formats)
New and innovative solo modes
M/S inside… M/S stereo width control on any stereo channel
Stereo Width Control from 0% (mono) to 400% (“wider than your speakers”)
Mono Maker Tool (Great for managing the bottom end of your mixes)
Solo in Place for Left, Right, Stereo Difference or Mono
Fully automatable
Dedicated BYPASS switch in the plugin GUI
"Mouse Over" feature: adjust parameters by holding the mouse over any knob and simply turning the mouse wheel.
Direct access: just type in any valid number into the text fields for direct access to the exact value
Learn more about bx_control V2.
bx_hybrid V2
11 EQ Bands! Analog Quality Filters. Digital Workflow
Using heralded filter-designs from Brainworx, the bx_hybrid V2 was re-designed from the ground up to deliver the sound of analog filters combined with awesome digital features and workflow.
bx_hybrid also maps to all the features of the AVID ICON center section EQ, including its Surround Joysticks, which can be used to control the Bass- and Presence-Shifters!
There is nothing like the Bass Shift for tweaking bass drums, and try the Presence Shift for acoustic guitars or female voices.
Features
Brainworx critically acclaimed filters
Artifact free EQ-ing up to 26kHz, even in 44k sessions!
11 EQ bands including Shelving Filters, Hi- & Low-Pass, Notch Filters & Peak Bands
64-Bit & AAX (DSP & Native) Support
Auto Solo Mode for soloing single frequency bands
Notch filters with adjustable Q, and Shifter EQs that can be controlled with the ICON’s Surround Joysticks or your mouse.
Direct access: just type in any valid number into the text fields for direct access to the exact value
Switchable EQ graphic panel
Learn more about bx_hybrid V2.
bx_limiter
To get your mixes to come out of the computer “loud & proud” but punchy and without unwanted distortion, it is necessary to cut off peaks and transients on all channels and stems (i.e., grouped or summed audio channels).
Any pro will tell you: ”Don´t just limit on the master buss!”
Brainworx designed bx_limiter to be used on multiple busses to smoothen things out and glue them together prior to running through a full blown mastering limiter, like the Brainworx bx_XL V2 or bx_masterdesk. These plugins work best - and most importantly sound best - when they don't have TOO MUCH limiting to do.
Features
CPU-friendly, highly accurate limiter for Mono, Stereo & Multi-Channel signals
Low Latency (2ms or less depending on sample rate & system)
Mix control (Dry/Wet) lets you blend processed & unprocessed audio
Channel Link knob lets you seamlessly blend between unlinked and linked peak detection
Output Dim adjusts your output level conveniently in any mix session
1-Click Fader Link to drive signals into limiter while compensating for level
XL = Saturation on board! Add that extra dB of perceived loudness
Adjustable Release Times
Stereo, mono and multi-channel operation (5.1 / 7.1 and more)
Learn more about bx_limiter.
bx_opto
Tone-Laden Optical Comp, Subtle To Slammin’!
The Brainworx bx_opto compressor combines some of the best colors, character and features from what Brainworx has learned modeling the optical circuits of some of the world’s best-loved compressors, like the Shadow Hills Mastering Compressor, the elysia alpha compressor, or the Millennia TCL-2.
But in this case, rather than re-recreating a hardware product in software, the bx_opto takes the best aspects and anomalies from legendary light-dependent Circuits to create a software compressor you wish you could buy in hardware!
Opto Compressors respond differently to different input signals, which is often referred to as being “program dependent”. For example, an opto compressor will react differently to a longer loud part of a song than to a short loud hit in a quiet part, as the photo cells will build up heat over time, which slows down the attack and release times significantly. With opto compressors, everything is moving constantly, and in an ear-pleasing way!
The musical characteristic that optical compression circuits possess, has made them a favorite of professional engineers for decades.
Features
Analog, optical compression colors with more control than hardware compressors can offer!
Truly Content-dependent peak reduction / compression
‘Speed’ knob controls the coefficient of Light Dependent Resistor, creating unique transient response
Fully sweepable sidechain filters
Wet/Dry mix for parallel opto-compression
Learn more about bx_opto.
bx_panEQ
Discrete EQ-ing In The Stereo Panorama!
Imagine EQ'ing a crash cymbal buried in a pre-recorded stereo mix without affecting instruments panned to other positions in the soundstage. Or how about moving a dead-center lead synth to the left or right of the sound stage to make room for more bass? bx_panEQ offers a comprehensive view into the stereo spatialization of your content and provides intuitive visual controls to help mold the stereo field to your liking. It’s a brand new way to approach stereo-spatial processing.
At the heart of bx_panEQ is a Focus control for each filter; this adjusts how wide the filter’s effect will be in the stereo panorama, allowing for anything from broad strokes to precise adjustments in your mix. The filters' API-style Proportional Q design pinpoints your EQ tweaks by raising the Q factor as gain is increased or decreased from 0 dB, allowing for even more surgical precision. Solo buttons for each band give insight to the exact changes in frequency response by auditioning the pure difference in signal.
Features
Three parametric bell-curve filters—each featuring a Gain, Frequency, Q, Pan and Focus control—independently boost or cut EQ at discrete pan positions in the stereo field
Innovative Focus control precisely regulates the panoramic width of your EQ adjustments
Proportional Q filter design prevents progressive EQ boosts and cuts from spilling over into adjacent bands
Color-coded Panoramic Spectral Analyzer plots changes to pan position, frequency and amplitude for stereo content in real time as you make EQ adjustments
Visual aid of Spectral Analyzer makes mix decisions easy while providing direct control over stereo position and gain of each band
Each filter can be independently bypassed or soloed; when soloed, the signal difference is auditioned, providing critical monitoring on processing
Re-sizable interface allows work on larger displays
Cut and boost at the same frequency on different points of the panorama to re-place instruments within a full mix
Create dramatic panning filter effects with automation.
Use bx_panEQ on mono signals to open up frequencies into stereo channels, adding clarity and width
‘Stretch’ sounds by progressively boosting low to high, left to right or vise-versa to create a wider–than-life sound on instruments like guitar and keyboard
Learn more about bx_panEQ.
bx_refinement
Reduce Harshness, Add Sparkling Presence! Unique M/S Tool by BX
Spot the problem - Reduce Harshness - Add Life and Sparkle
The Harshness Control allows you to eliminate unpleasant high frequencies from complex signals and during mastering. Based on M/S (Mid/Side) processing, it imparts a tube-like analog smoothness and tames unpleasant digital harshness.
Add Tube-like Tone
bx_refinement is not an emulation of a certain tube sound. Instead, it combines several characteristics found in musical tube equipment to give you an effective tool that is easy to

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